Canon EOS Rebel T3i 600D 18MP DSLR Digital Camera [ Review ] | Get Fixed

What's going on guys? Bendji D.

Here fromGet Fixed and today's review is on the Canon EOS Rebel T3I.

After three seconds of usingthis device, I was immediately intrigued by it.

This was a major upgrade for me in termsof specification.

My previous camera, the Nikon D3000 did pretty well in terms of takingpictures.

With its 12 mega pixel sensor, the images come out quite sharp.

But I knew Ineeded an upgrade.

This camera is at least 10 years old, I know this because my dad gaveit to me.

To make matters worse, it does not record videos which is the main reason I wanteda camera.

The Canon EOS Rebel T3I comes with a 18-55millimeter stock lens, which also comes with a built in image stabilizer to reduce theshaky handheld effect.

I wouldn't recommend using the stabilizer on the stock lens becauseit is very hard to pinpoint the difference when the stabilizer is turned on.

The T3I contains a CMOS sensor which standsfor Complementary Metal Oxide Silicon.

It is ten times less sensitive than the CCD sensor.

I know many people say the size of the sensor does not matter too much in terms of gettinggreat quality images, but I still think the pixel counts plays a big role in sharpness.

Here are some sample videos I took with the Canon T3I.

I am currently using this and the Samsung Galaxy S6 Edge Plus to record these videos,all I need now is good lighting.

If you would like to see part two to this review whereI show you the best settings to get great quality images no matter where you are, besure to click the subscribe button and ill see you next week.

Any ways guys, Bendji D.

Here from GET FIXED and I'm out.

Peace.

Source: Youtube

Canon Rebel T3i - Canon EOS 600D Review

in today we're going to be looking at theCanon Rebel t3i or the 600 be as it's known outside theUS this is currently cannons leastexpensive DSLR and is equipped with the 18 megapixel aPLC sensor the Canon users in most of itsentry-level deal solarz out this unit is equipped with the 18 to55 millimeter kit lens that has image stabilization this also18 to one thirty five-millimeter kit lensavailable let's first take a look at the camera body itself on the front right hand side of the t3i is the lens lock release button theflash button is above that and the depth of field previewbutton is below it above these buttons and further to theright is the built-in microphone right in the middle of the front face isthe mirror and beneath it is the image sensor in both these areenclosed by the Canon EF lens mount slightly to the left ofthat is the self-timer lamp and the remote control sensor which islocated on the camera group on the left handside is a very well designed SD card slot which makes inserting and removing thecard a breeze on the top right hand side of the camerayou have the shuttle the main adjusted I'll a display on/offbutton and the ISO button slightly further backto you have the main on/off button and the mode dial whichincorporates video shooting mode amongst other shooting mode to the leftof this dial is the hot shoe mount and the flash which pops up when neededor intentionally turned on and there's also to strut mounts oneither side the rear face has the digital zoom in and zoom out buttons on theright and the life you button on the left the Live View button is alsothe movie record button bonitos is the aperture adjustmentbutton the Quick Menu button and beneath that are a set of buttons toquickly adjust white balance shooting modes order focus modes andpictures styles and all the way down to the right otherplayback and Delete buttons and almost in the centerof the rare faces the viewfinder and its by optic adjustment knob and to the left of theviewfinder the menu and info buttons and last but not least is the extremelyhelpful swiveling LCD screen the bottom of thecamera has the quarter-inch 20 tripod thread and to theright is the battery compartment with cannonsLP e8 battery the battery compartment doorcould use a slightly better design as it is a bit and knowing to open theright hand side of the camera has two port covers which review and a VO portan HDMI port a 3.

5 millimeter Jack to connect anexternal mic and a wired remote port be 18 to 55millimetres kit lens lines and locks into positioneffortlessly but the zoom and focus rings do have avery rough and plasticky feel to them the group on the camera is excellent fortaking study short in even for panning video to enhance agrip Canon even thought fully rubberized all themajor contact surfaces and as with all Canon DSLR's the buildquality is really good the cameras built for heavy professionaluse the screen is pretty bright and sharp and the menu system should be veryfamiliar to people who've used the Canon DSLR in the past however thelack of a touchscreen like the ones you find on pricier CanonDSLR's like fifty-five I does make it marginally more difficultto change settings and this can become a bit annoying ifyou're coming from a smartphone camera or from a camera with a touchscreen in terms of image quality the camera hasthe option to shoot indifferent g pack sizes and can also output grewall files and is also an option to output both 18megapixel role or and a pic files simultaneouslydefinitely a useful feature when taking pictures the camera alsodoes lock focus very easily and accurately theviewfinder is also extremely helpful for locking focus but certainly isn't very good accuratelysimulating exposure now we've taken a few test shots withthe kit lens so you can see the image quality these were taken with the camera in theautomatic mode and you can see the aperture ISO and shutter speed at which thesewere taken and as you can probably tell even with the kit lens the pictures arevery well exposed the collars are well rendered and theimages are quite shocked the low light performance was also impressive as you can see here in terms of videooptions the camera shoots 1080 P at 30 frames per second and thecinematic 24 frames per second it also shoot 720 P at 60 frames persecond and for EDP at 30 frames per second the quality ofthe built-in mic is poor but you can also connect an external micand adjust the input levels manually the video quality from the camera isexcellent when shooting subjects that are stationary or moving a little like say when shooting interviewshowever when panning or shooting moving subjects the lack of continuousautofocus makes a job much more challengingpulling focus manually is your best bet and that can be very tiring at timesdefinitely not suitable for run n gun shooting battery life wasvery good especially when taking pictures but if you do plan to spendlarge stretches of time shooting pictures or video spare batteries are a worthwhileinvestment so should you buy the t3i well if you're looking for your firstDSLR to take quality pictures the t3i is probably one of the bestoptions on the market however if you plan to use it as areplacement for your camcorder you might be disappointed neverthelessbudding filmmakers who are willing to work with manual focus can juice excellent video quality from the t3ihope this review has been useful if it has please support our channel bysubscribing and hitting that like button thanks for watching.

Source: Youtube

How to Repair Your Broken Canon EOS LCD Screen - Rebel T3i / 600d

this ever happened to you? (oh crap!) the don't cry little man I'm gonna show you how to fix it checkit out! (music) this is our little Canon t3i and I uses to shoot everything on myYouTube channel and like probably many of you out there I dropped it the other day and cracked the little LCD screen Yep, what a shame.

The good news is it'snot very hard to fix it so we're just gonna take our time here spin this little guy around.

Take these twoscrews out I'm hoping you guys can see that on the side here there's two more littlescrews they're really hard to see see you gotta look close for these little boogers.

Weshould be able to pop this back off.

There we go and that exposes the goods here I've got our replacement part right hereyou can see what it is in comparison so this isdefinitely what we're after here for the connectorI think I'm zoomed in far enough to see this to take the ribbon out you flip this guy up right here.

You just gotta get your thumb nail under there flip that little piece of plastic up andthe ribbon slides right out to install is just the exact opposite You just push the ribbon in all the wayand then flip that little plastic clip down then there's a couple more than screwsright here that hold our back plate in.

we've got two more screws here right next tothe ones we took out right at the beginning Now this should be free andclear we should also be able to lift this assemblyout so we're gonna keep that in the same orientation that it was.

We're going to be very mindful of how everything is going together here then we're going to separate our LCD from theback plate there's some adhesive on here and that'swhat I'm fighting with just a little bit trying toget it to loosen up.

Trying not to crack our PC board you know good here (struggling) (POP!) (POP!) Here we are.

Again we want to be careful not to mess up the orientationhere okay we've got our new screen here its gonna go in this orientation We're going to squeeze it on there insert the ribbon There we go, that little guy flips up.

O.

K.

, so assembly is just opposite of tear down squeeze of of these little guys in.

Make sure you pushthese tabs here forward and we'll get this little assembly in.

you want to make sure that this piecehasn't twisted ninety degrees on you because it can Your screws won't line up if youdo twist it ninety so keep that in mind.

First one's I'm going to put in are these little guys in the corners then we're going to do these guys next I can't remember if it's the inner or the outer.

Looks like the outer.

You want to be sure when you get to thesides crews here these are actually a little smaller screw so just make note of that the small ones go into the side before we put it all back together.

I'llturn on for a little test drive here hey hey hey check it check it and I can see that I left the plastic onhear so I gotta pull this back apart and do this again but that's how you fix these things andnot not very difficult to do cost me abouttwenty dollars in parts took me about 15 minutes in in real time.

That's it for the Canon t3irepair I hope I never have to make this videoagain.

I think I just need to be morecareful with my cameras in the shop so hopefully that helps you guys out.

Don'tyour meat loaf!.

Source: Youtube

Nothing But A Canon Rebel T3i (600D)+Kit lenses = better photos than most photographers: RF Critique

Jared Polin, froknowsphoto.

Com.

And welcome to another AdoramaPIX Rapid FireCritique where I take your best 10 images and give it a critique [Indiscernible] [00:00:13]and if you would like to submit your best 10, go over to the website, look for the linkthat says submit your critiques or something like that.

It’s there.

So, go ahead and do it.

But remember I can’t critique everybody’sstuff, because I get so many send in, but I will try to do my best.

Before we jump into that, why don’t yourcritique along with me by leaving comments with what you think about the images as welland how you would critique them? You could also post your links down belowon YouTube or on Facebook if you would like.

But don’t forget the like it, share it andsubscribe.

So, let’s go into these images from JamesSmith.

James Smith is shooting with a Canon Rebel600D, which I had to look up.

That is a T3i.

So, it’s shot at F9 23 mm 3 seconds.

So, again T3i, we are going back a coupleof years.

Also remember that it’s not the camera thatmakes the photographer.

It’s the photographer that makes the camera.

A camera does have the ability to help youget better results if you know what you are doing.

This is a very nice shot.

I’m happy with what’s going on here fora firework shot.

It’s a very nice exposure.

Not the easiest thing – actually it’spretty easy to shoot fireworks.

I put out those videos before.

But this is a nice execution of it.

I like that it’s not – the shutter isnot open too long that everything just fades away.

A very nice shot, nice job.

Moving on to the next one.

This one I’m lost with just a little bit.

Shot with a 70-300 F4 to 56 USM.

Again it’s like the – if that’s thesun or is it a fire.

The sun is going down or is it a fire? I don’t know.

It’s making me think.

I like images that make me think.

It’s a nice – why can’t I think of theword silhouette.

Silhouette is the word.

Spell that down below, S-I-L- it’s likespelling, it’s like spelling vignette, vignette or whatever, I can’t spell.

So, this image is all right.

I just don’t even know where it’s focusedright here.

It’s okay.

I do like the bokeh.

I like the autofocus stuff and I like thatit made me think a little bit.

But that’s that.

Same thing 600D, shot with a 75-300 F4 to5.

6 at F9.

So, in the bright daylight ISO 100, you couldactually shoot a little higher than that.

But, oh, yeah, one 320th of a second.

So, what they are doing here, now this isgreat.

What’s awesome about this, I shot aviationonly two or three times.

Now, I had my aviation buddy who does thatfor a profession.

Teach me.

Give me some tips and give me some pointsto what makes a great aviation photo.

And they always say that you want the propeller.

If the prop is solid that means that anybodycan freeze it.

Now, when you are shooting fighter jets, youcan shoot faster exposures, faster shutter speeds, because they don’t have props onthem and you won’t see it.

But they say seeing the propeller makes itlook like the plane is moving opposed to where it’s just [Indiscernible] [00:03:02] motionbecause the thing is not doing anything.

So, very nice job doing that great composition.

I would like to see a little more contrastthrown into this.

That’s my personal style.

But I think the image would pop more.

And this again is showing you that it doesn’tmatter what gear you had.

This is a Rebel T3i.

It’s an older camera.

It doesn’t matter.

It’s a kit lens 75-300.

It’s a basic lens.

But because the photographer is getting theexposure right, getting the composition right, and getting – I mean, look, they got thepropeller, that’s what you look for, this is an A1 winning [Indiscernible] [00:03:33]shot.

So, nice job there.

Give me more contrast and I’m going to bemuch happier when I see that.

So, but nice job on that pass.

This is good too.

You can do much about having this annoyingbuilding in the background.

What did you shoot this one with? 70-300, so a little different than the otherone.

The other one was 75-300, right? Yeah, I didn’t want to see things.

But this is cool if you could get a littletighter.

That would help.

It’s shot at 135.

I would want to fill the frame more to getrid of the distraction background of this building.

But nice job on a panning shot.

I love how perfectly you’ve done this panningshot.

You’ve got sharpness here.

Then you start to get some more motion upin the front, the exposure F14, 180th of a second, great job.

Fantastic job on panning the image.

Awesome! You can do it with anything.

So, I forgot what they call this when youare focused in on the one jet and the other jet goes by and it’s not in focus, blah,blah, because of something at some focusing thing.

The very nice capture getting them right here,I like it.

Same thing, 70-300 F4, 1500th of a second,a little faster, yeah, with fighter jets like this, you could shoot it much faster ISOs,sorry, faster shutter speeds, because you don’t have to worry so much about the propellerbecause there is none.

Is it distracting that this one is out offocus? I think so.

I may have considered focusing on this.

But I know that it’s difficult when twoitems are converging.

Two planes are converging on each other andyou got to focus on one of them and one of them is not going to be sharp.

I may have chosen the one that is closer tome.

But maybe there is a reason to choose theother one.

I am just not sure.

Again, a very nice panning shot.

I would like to see the car a little furtherback here.

It’s a little too far forward for me.

That’s nitpicking.

Awesome panning shot though.

Very nice job.

Fighter jet, so these two old bombers, reallygood.

I would like to see more contrast again personally.

Bump the exposure up slightly.

Hit that contrast.

Hit that clarity.

And I think this image would pop even more.

Very nice job getting both planes in there.

They both look to be pretty closer and focused[Indiscernible] [00:05:41] 10 1320th of a second, getting propeller you can see thatthat works.

If you could try to go slow with your shutterspeed, you are going to end up getting motion blur of the plane and that may end up notbeing so good.

You want to get the prop, but you want theplanes still be sharp.

Nice job here right there.

Then the plane on the ground, you got someof the heat rippling going on here.

Look at that fighter jet back there.

That’s pretty cool.

So, royal air force jet, that’s an interestinglooking plane.

Look at the cockpit.

It looks like two-seater.

It’s fine.

Plane on the ground.

It looks like it’s getting ready to takeoff for taxi or land or probably it just took off for – it’s about to – it’s justland that is going to take, I don’t know what it is.

But anyway you can see all the heat wash lookspretty cool.

So, that’s all right.

Nothing special.

And then we got birds.

So, it doesn’t really match.

I guess they are birds.

The other ones are airplanes.

Very similar.

They both fly.

It’s perfectly fine, looks good.

I’m curious to see are they shooting throughthe fence or are they inside the enclosure? Nonetheless, it’s good.

But a lot of F9 shooting, I find to be veryinteresting.

Oh, 150-600 F/6.

3 lens.

What were they using this time? 150-600, 150-600, yeah, that’s a kickasslittle lens.

That’s the sigma I believe.

It’s a very good lens for getting stuffat a distance, from a distance.

Nice job, James.

That photo looks good.

And then this is the last photo.

I don’t know what type of aircraft thisis.

It looks like the flaps are down, so theymay be going into some kind of, I don’t know what I am talking about.

I don’t know anything about aero planesor fighter jets but it does look like it’s going into some kind of thing, because theflaps are flappied.

I wish there was a description of what itwas.

Aircraft vehicle outdoor airplane, well, thatdoesn’t help me very much.

But I like the shot.

I mean I love that the afterburners are onand I like that.

I still would like to see the traditionalshot, which I am sure you got.

But exposure, tones, everything about it reallygood.

Nice with the 150 shot at 347 mm, that’sa really good lens for outdoor stuff just like that and this is very good rapid – lookat what it was shot with.

Same lens, same camera.

Now, they moved up to the 70D here.

So, it looks like they upgraded to the 70D.

Awesome! Good little progression.

That’s an awesome set.

I really like seeing this, because looking– this is where – knowing what the gear is, it comes in handy because it helps meunderstand the progression of a photographer, because if I’m looking at somebody shootingwith a 1DX Mark II and all the best gear they are getting crappy results, I’m going tolay into them a lot harsher than I am going to land to lay into somebody with a T3i andthe basic stuff who is getting great results, because I know that you have to rip on somebodywho has a 1DX Mark II and quality glass but get shitty results, because they are not agood photographer.

I like seeing the T3i, the kit lenses andI love seeing the panning shots and the propeller that this photographer is doing everythingextremely well and growing.

That’s the point.

You start with something and it’s not thecamera that gets good results.

It’s you that helps the camera get thoseresults.

Remember that always and forever.

Always and forever.

Yeah, I know my singing sucks.

I get it.

But they made the progression to the 70D.

Cool.

Give me your feedback below.

What’s your critique on this photographer? Give a thumbs-up.

Give a share.

Don’t forget to subscribe.

Check out all the other videos that we’vebeen creating for the Rapid Fire Critiques and don’t forget.

You can click down below to go over to thewebsite.

There is a link waiting for you to submityour best 10 images and remember I get thousands of them submitted.

I can only do so many, but I will do my bestto get to as many as possible.

Thank you very much for watching Jared Polin,froknowsphoto.

Com.

See you.

Source: Youtube